Ne me quitte pas

Ne me quitte pas Ne me quitte pas Il faut oublier Tout peut s'oublier Qui s'enfuit déjà Oublier le temps Des malentendus Et le temps perdu A savoir comment Oublier ces heures Qui tuaient parfois A coups de pourquoi Le cœur du bonheur Ne me quitte pas Ne me quitte pas Ne me quitte pas Ne me quitte pas Moi je t'offrirai Des perles de pluie Venues de pays Où il ne pleut pas Je creuserai la terre Jusqu'après ma mort Pour couvrir ton corps D'or et de lumière Je ferai un domaine Où l'amour sera roi Où l'amour sera loi Où tu seras reine Ne me quitte pas Ne me quitte pas Ne me quitte pas Ne me quitte pas Ne me quitte pas Je t'inventerai Des mots insensés Que tu comprendras Je te parlerai De ces amants-là Qui ont vu deux fois Leurs cœurs s'embraser Je te raconterai L'histoire de ce roi Mort de n'avoir pas Pu te rencontrer Ne me quitte pas Ne me quitte pas Ne me quitte pas Ne me quitte pas On a vu souvent Rejaillir le feu D'un ancien volcan Qu'on croyait trop vieux Il est paraît-il Des terres brûlées Donnant plus de blé Qu'un meilleur avril Et quand vient le soir Pour qu'un ciel flamboie Le rouge et le noir Ne s'épousent-ils pas Ne me quitte pas Ne me quitte pas Ne me quitte pas Ne me quitte pas Ne me quitte pas Je ne vais plus pleurer Je ne vais plus parler Je me cacherai là A te regarder Danser et sourire Et à t'écouter Chanter et puis rire Laisse-moi devenir L'ombre de ton ombre L'ombre de ta main L'ombre de ton chien Ne me quitte pas Ne me quitte pas Ne me quitte pas Ne me quitte pas.

No don't go away No don't go away We must let go All we can let go What's already flown Let go the times We made each unknown And time that's gone To be wise to how We let go these hours Which sometimes slay With blows of why A heart of joy No don't go away No don't go away No don't go away No don't go away I offer you Pearls of rain From a realm Where it never rains I shall cross the earth Till past my death To wrap your heart With gold and light I'll make a land Where love will be lord Where love will be law Where you will be queen No don't go away No don't go away No don't go away No don't go away No don't go away Invent I will Some senseless words That you will know I'll talk to you Of lovers old Twice they viewed Their hearts ablaze I will speak A myth of this chief Brought forth to death Cos you didn't meet No don't go away No don't go away No don't go away No don't go away My mind reminds That flame reforms From an ancient hill They called too old It sometimes seems That blackened fields Give more grain Than springs best yields When dusk comes back In the blazing west The red and black Will never nest No don't go away No don't go away No don't go away No don't go away No don't go away No more will I cry No more will I speak I will just hide Just so I can see You dance and smile And to hear Your style and your song Let me become  The shade of your shade The shade of your hand The shade of your hound No don't go away No don't go away No don't go away No don't go away

I have run out of rawl plugs

I have run out of rawl plugs
I wouldn't have known
I'd put hundreds of holes
In the walls of my home.

I've run out of rawl plugs
And there are some shelves
And holes drilled and filled
So you never could tell.

II.

In my infancy
Rawl plugs were infinite
Appearling like slaters
Expected suprises
Under furniture, behind doors
Boxed, scattered and bagged.

I laughed when I first bought rawl plugs
In a brick thick pack
Picked one strip and finished
Unthinking assumptions they'd languish
Infinite in the cupboard or shed.

Finitude, solitude
DIY.

III.

And yes, it's true I have used
A whole box of screws
Or two, 6s and 8s
A plethora of projects
Of temporary fate.

In my infancy
Screws were more infinite
Than rice grains
But I knew where rice came from
And carried it home.

I have  used a whole box of screws
Or two, 6s and 8s.

The mountainside

Or

What my phone wrote in my pocket

The mountainside
Your beacon. Ever burning
I think
The mountainside your beacon
The mountainside
I have woken up

The second course
The mountainside
I tried to cope
Address bar of your feathered heart
But aside from the public domain names
The address is being held.

The colour and size of the machine
The second course
Untarnishably wonderful in all departments,
River queen

The mountainside
The mountainside, your sovereignty acclaimed
Light
The information contained in this email
This is theoretically doable
For the price
In may

How was (love hearts) a bit of fun
The only one
Of the machine and news
The address is correct
And up to Stokey on the bus
I think one
I am the mountainside
Your sovereignty
I am caught.

How it goes
Without the mountainside.

A note on voting

I heard it said

From high on horse

That we should vote

Because others fought.

But this post

Won't be stamped
And enveloped
And offering

Just one vote

Is like asking
We go by sailboat

A nice way to travel

When the crew is good 

And the weather's bright

Once in a while

I just might.

But as other's fought

To enjoy new rights

We should not just vote

But fight.

She said she was in love

She said she was in love
As if this one word
Would make good
All that I'd just heard.

She said she was in love
As flighty adolescents do
But nowhere was the care and curiosity
Of the word I knew.

If each love is a key
Mine was not the lock
The turning that would free
Our spirits from the blocks.

She said she was in love
As lust confused from time to time
If each love is a fingerprint
Hers was at a crime.

Valentine for Y

There is water between us

I will go down to this water

Now, when it is dark

And dive and pull and roll

Each lifting and then crashing wave

Each stroke rake through raging storm

Through Biscay, through Golden Coast

And on and on to round the Horn

Swim in thunder and blinding white

Swim with longing through the night

Swim through however many dawns

Till all natures forces come becalmed

Until I come to haboured beach

To stand again within your reach

As all the gods I have beseeched

Are there to answer all for each.

The fool in Jolene

Jolene, Jolene, Jolene, Jolene
I'm begging of you please just take me as I am
Jolene, Jolene, Jolene, Jolene
Please don't go, for once just understand

Your beauty is beyond compare
With flaming locks of auburn hair
With ivory skin and eyes of emerald green

Your smile is like a breath of spring
Your voice is soft like summer rain
And I would be complete with you, Jolene

Your face it haunts my very dreams
And every night it always seems
I wake up wet and crying out Jolene

And I can easily understand
How you could soon have any man
But you don't know what you mean to me, Jolene

Jolene, Jolene, Jolene, Jolene
I'm begging of you please just leave me as I am
Jolene, Jolene, Jolene, Jolene
Please don't go, for once just understand

Though my love was always true
Love like yours I never knew
Now your the only one for me, Jolene

I had to have this talk with you
My happiness depends on you
And whatever you decide to do, Jolene

Jolene, Jolene, Jolene, Jolene
I'm begging of you please just take me as I am
Jolene, Jolene, Jolene, Jolene
Please don't go for once just understand.

Can't get next to you

I lost your number
To a pick-pocket down the Arsenal
I would've given an engagement ring
Or all my summers
For that one simple thing.
Humming Al Green.
I miss your integrity
When I find myself in times of trouble
What your voice says
I guess it's unpossessing
My house is less of a mess.
A lick of paint does wonders
For your conciousness.
I'm just about driving now
If I buy a van
We could elope as spouses
Rent the houses
And raise kids in Kyrgzstahn
Or Australia
But you've probably got different plans
Like I said, a pick-pocket took my dockets
So I had to email ya
Give us a call
Love
To hear from you and all.

English donkey

There is a donkey
That carries all the portage
For the village and the palace
Carries to all quarters
Harnessed up with baggage.

Some have seen it at the palace gate
They say "that gold's a heavy weight "
Some have seen it at the butchers
And say it carries meat
Some see it at the hospital
Bearing medicines for meek
Some see it in the quarters
Where they say it runs cocaine
Some see it piled with wood and straw
And think it poor and plain.

But the donkey goes about it chores
However understood
Forever lifts and forever hauls
'Most every type of good
One day dray horse, one day mule
One day pet, one stubborn fool
But always on the donkey's back
Is some good of value
To which we're attached.

For there are cars and there are planes
And even dog-led slays
But they never ever carry it
In quite the donkey's way.
Some petrol fuelled, some larger limbed
Some even work in teams
But it seems
It's the donkey that we turn to
When we want to carry dreams.

Though short and plain and spindled legged
Its strong and versatile as eggs
And carries all from water's edge
For high and marbled palace.

Valentine for uplink

You're my every hope and solace
My every focus like opium
The dopest promotion for human beings
A voice like seeing dawn E'ing
I can't depict the state of addiction
Search for superlatives in fan fiction
The Aphroditeest, Venusuviusest
The finest moviest, stars like Grace
Leaving Bacall in your wake, trailing
Oh the depth of the fall
Infinite, unfailing
Like bars, chains and a jail
Lead where the largest freedom could ever avail
Gold cast female
Hot as your own star
I'd forget every object of worth
For your presence
Like heaven on earth
If its a crime I plead guilty as charged
Face any penalty
To be even part of your entourage.

Valentine for A

There is love like wine

Love like air and water

Love like gold and jewels

But your love, for me

Is more like trigonometry

A truth and understanding
Of unpredictable utility.

Value that will never cease

Like pivot points and levers
And knowing dawn is east.

Valentines

1.
Singular or plural
Water birth or epidural
Church or a beech
In a suit or sandles
Do you count the candles
Valentine
Your place or mine


2.
Oh hot bird what flies in air
It is with heart too full of care
I long to squeeze and pull your hair
Slap your arse bent taut and bare
Oh how I long to kiss you there

Clarinet

You never would expect
A foghorn aged become clarinet
Those clarion cries we can't forget
And yet...

She was a warrior of raucous nights
Her cries would frighten dawn
But now with notes sweet tender light
She lullabies her fawn.

Now she glides on summer lawns
Without the cider bottles strewn
Strewn like those souls left to mourn
Those suitors who beseeched the moon.

Oh I could tell you
Of the Princes, oh the dukes and heirs
How they queued and how they howled
That ever she be theirs.

There were wails and there were tears
From her peers there were glares
Laughter's heard at sunset now
In peels and in pairs.

If you are here, now
And not lensed through all those years
It's easy to forget
A foghorn was this clarinet.

Anonymous

On a journey though rain
Not showers
But rain that comes in cords
Not driving
But windless falls
The tall clouds
Closed to bind the sky as one
A single shaft of sun
Moving storm fast
Found me.

A gasp of brightness
Light across the stone
Lifted my face to the rain
To the pale northern sun
Ice in the eye
White against grey
Shone, burned
And was gone.

My iris carries stars
As if I saw some fey spirit
In the grey soaking air
Leading
A ghost of spring
Hope of spring
As winter closes in.

At King's X, we filed in
Polite murmurs
And I took the Tube.

Call to arms

For starters,
We need a modern Magna Carta
Cos the half the bastards need shaft of
Sunlight
It's the best of disinfectants
When done right
Let's start tonight
Get the budget in the pipes
Update your rights
Update your rights.

Sign here
https://you.38degrees.org.uk/petitions/democratic-budget-give-citizens-a-choice-in-how-the-tax-we-pay-is-spent

Sight seeing

In a sweated September
Dusk had come and left
Us lost amidst the lofty
Concrete cliffs
A mist of half heard conversations
Tumbled from the yellow nests
Our host was virtual
Silent in a sulking tiff
And unassailable
So like jetsam we did drift
The steep graffitied streets
And sluice from bar to bar
Till tarmac turned to cobblestone
And sandstone echoed far off Rome
Through pigeon packed seated throng
We tumbled to the Nervion
A tidal umbilical of silk
The wide roads strove to ape
Curious and seas from home
Our host he called us ingrates
But our agent had an interest
As such folk are wont to do
And showed us to a place of rest
Far better than we knew.

So I raise a toast
To our virtual host
For if he hadn't let us down
I never would have seen these streets
This cathedral or this town.

A call

So she calls
In distress
Canned and bottled
Stopper pressed tight
Light throttled and lost

She says she's lost
The wide well travelled road
Of youth and now the path
Is less trod, mossy
Fracturing like arteries
Like split ends
The trees crowd and whisper
Shoes slip in dust

And she says meet here
On this wild forest track
That leads to barren rocks
That leads to scree fields
Meet me
There is no way back.

A funeral

Soot black crow on ashen skies
Ashen as the skin, ashen
Ashen as her weeping eye
Silk strung lash drip
To blossom, cast
Gone but not forgotten.

There is no forgetting
Day of dust and ashes
The full fret of brevity
All the sorrows of mortality
Above all sorrows of life
And yet
There is no forgetting.

Swept hair, glacial smooth
Pinned grief
Under the black winged hood
The black mood
The soot crow's screech

There is no forgetting that we can know
A salve.

Corgette seeds

I strip pith from the fruit of trifids
Fan leafed behemoth so prolific
One hollowed marrow
Engorged gourd
A corg
No ette.
I have eat its little sisters
For months
Dish after fleshy dish
Persistently grows
The very sight of courgettes sickens
Yet these seeds I pick to sow.

Witch on the hill

I know this witch on the hill
Who sits weaving spells
With two black cats on the sill
She hexes ill well.

In her cupboards are words
And great cavernous halls
The feathers of birds
And broken down walls.

With a flame and some secrets
She stirs over her brew
While prowling black creatures
Swish tails and mew.

Then just before dinner
With folk settling down
Her incantations float
Out over the town.

Out under the moon
Through the ivy-clad oak
Out through the fumes
Hanging over the Smoke.

Around tragic minds
Slow, sallow and blue
White magic she winds
Till sight becomes new.

Widdishins, widdishins
She mutters and stirs
With pin cushion dummies
And handfuls of herbs.

Widdishins, widdishins
In go the words
While under her wings
Purring sun-god concurs.

Vice-held voices
Rejoice in a song
The one carried silent
They've sung all along.

While out on the hill
With two black cats on the sill
She sits weaving spells
And no one can tell.

A comment on kidnapping

An eye for an eye
A tooth for a tooth
The blood of another
For one murdered youth.

Bronze-aged moralities
Industrial fatalities
Untenable disparities
A very sad reality.

Rotor blades
From overseas aid
Make umarked graves
Collateral of young braves.

Twisted bigotry
Hiding in history
Belligerent racists
Lead an ignorant state.

Wolves at the door

The wolves have come

Come howling from the moor

Howling scratch the bare wood door

I hear their paws in snow

Hear their whines and chatter

And tremble in the cold.

Alone, down to lamb bones

And boiling broth

Down to scraps they did not save for rope

Down to comfort sought

In the remorseless winter

Chorus of wolves.

They will come again tonight

Certain as sunrise

Again tomorrow.

Past christmas now

Past the season of feast and gifts

Past generosities.

What is to be made

Of lamb bones and old rope
Of empty pots
Of spotless knives and spoons?

The wolves have come to my door

In cold I will not tremble

Or worry over circled tracks

Worry for their whining

They are welcome back.

The wolves have come to my door

Tomorrow I trade fur.

Letter to some editors

Dear Editor,

Nigel Farage's call for greater direct democracy is welcome.

However government today is as much about spending as legislation and traditional ideas of democracy did not face this problem.

Public spending has grown forty fold since the beginning of last century.

(http://www.bankofengland.co.uk/publications/Documents/quarterlybulletin/threecenturiesofdata.xls)

A novel form of direct democracy in a digital age would be to give citizens input into public spending decisions.

The elected government should publish its spending plans immediately after the general election. Then allowed a period for citizens to adjust each budget line by some precentage.

This would make our democracy more inclusive, less a la carte, political promises more binding and politicians more focused on persuading the electorate to back policies, rather than making empty promises to secure office.

Further, mandating policies might allow the retention of budgets within the civil service and end the incentive to profiligacy that comes from having to spend or return budgets within a year.

The next general election falls on the eight hundreth anniversary of the Magna Carta, which created parliament for the purpose of overseeing the Sovereign's tax and spending.

Representation may have been the best option 800 years ago, but the web now allows us to publish and collect feedback at little cost.

British innovation in governance was a competitive advantage for centuries. We should again focus Britain's “unique moral genius” on the issue of governance, harness the wisdom of crowds and use National Participatory Budgeting to build a more inclusive, more efficient and more direct democracy.

Murder on Ferry Lane

This and that
This and that's been said
They say this and that
They say this and that about him
Like it's justification
But that facts be
Execution by police of a man in a taxi
Execution by police of a man in a taxi
Execution by police of a man
This is repetition
No apologies.

No medicine
This bitter pill
Killed by the law
Verdict
Lawfully killed.

No medicine
These questions
These questions of character
The actors
The character of the actors
The act of shooting
A radio
The script of the actors
As answers
For questions
Unanswered questions
Of running guns and guns running
Questions at the gates of Downing Street
Questions, questions
Because they shoot first
And ask questions later.

Return love

Var life
Var love
Var happiness
Var I

If (life != happiness) {
    find (love);
    love = array []
    For each I in love []{
    I = 0, I++, I < love
    return love[]}

Else If (life = happiness) {
    love = array [];
    for each in love []
    echo love}

Else If (empty(life)) {
    find (love);
    love = array
    For each (love []){
    I = 0, I++, I < love
    echo love
    life = love
    return life}

Else If (love = 0) {
    life.live()
    life.work()
    life.make_merry()

    Find (love)
  
    life.live(love)
    life.work(love)
    life.make_merry(love)
  
    If (love > 0){
    return love};
    }

Else If (love == 1){
    life = happiness
    return love};

They come 'ere taking our jobs

A contribution to the debate on immigration

They come 'ere taking our jobs
With their funny food
And their bad attitude
And their gangs of drunken yobs.

They come ere
With the their strange ways, strange schools
Closed communities, their own rules.
Some say they're cool
And we should leave them alone
I say London's full
Country whitey go home.

They come 'ere taking our jobs
Talking odd
Clogging up our hospitals
And clogging up our roads
Breaching peace in parks
In self-important tones
Pushing up the house prices
But one thing I've never known
Why they don't stick to their devices
In the counties they call home.

Don't get me wrong
Heaven's be foresaken
This misplaced tribal ignorance
Ain't based on pigmentation
We've always had the Irish
The Germans and the Jews
And French and Dutch and Spanish
More than one or two
And Euston takes the Scotsmen
But Paddington should close
Cos London's full of country feet
Better walking country roads.

Don't get me wrong
Heaven's be foresaken
This ain't straight xenophobia
We still need immigration
A cornucopia metropolis
Of each and every nation
Rich as ancient Thebes
New York or Los Angeles
Or the prime of Rome
They ain't coming to your village
If it bothers you go home.

Why make space for bumpkins
When we can tap the global talent pool
Why clog up our economy
With web-foot, hair-lip fools.
We could take one or two
On a quota if they're of use
And house a case or two
Of institutional abuse.
We know what they're like afterall.

Now if they come 'ere and was humble
And stuck to cleaning floors
And worked only in the small hours
So that they could be ignored
I wouldn't grumble or begrudge
Just that odd one or two
But on the farms the fruit needs picking
So they should stay and work their due.

So spare us all you stiff-necked toffs
With prattling myopic aires
Our hands are better washed
We can tend our own affairs
So take the Queen and go tend the sheep
And take the parliament to Birmingham
Westminster we'll keep.

So all of you who don't know
Who where the weavers of the wool
Who built the railway and roads
And staff the hospitals
All of you who don't know
What makes a modern Rome
There's no place for you 'ere
You might as well go home
And leave the jobs to Londoners
And the best the world can send
There are green and pleasant lands
That you should stay and tend.

Sights across the city prove
What makes a modern Rome
And if you can't see how tide moves
Like Canute you'll lie in foam
So go back to the hills
So the chickens aren't alone
There's no place for you 'ere
Country boy go home.

F-Words

Certain f-words have suffered abuse
I have witnessed and heard
Some scurrilous use.

The four letter word
On so many lips
Has been turned to turd
The way ad-land use it.

Free. Everything free
Say linguistic parasites
And we'll buy if it's free
As the price seems right.

And then there is fresh
Which means unprocessed
But when it left the land
Is anyone's guess.

In plastic wrapped boxes
For one penny less
You can buy all you want
And its free and its fresh.

Windows on summer

This is a season of Cabbage Whites
In chaotic courtship
Who knows what hurricanes they cause
What they feel in their stomach.
Dancing in zephyrs like clumsy
Trapeze artists in honey
Over and under and past and over
And on
Like doppler rhythms from open cars
Calling satisfaction
That this democratic dream
Sunshine
Is all mine
And the Cabbage Whites'.

They're having a gas

Does Obama
Miss Osama
Is that why he sends Syrians
Heavy Armour?

There's Carlos the Jackal
But Bin Laden I'd rather
He was the best looking rebel
Since James Dean and Guevara.

The US has a concern
In regionalisation of the conflict.
They're having a gas.

From Pakistan to Somalia
Mali to Georgia
A war where we are unsure
Which targets we hit.

We're in want of a monster
Where is our monster
So we bomb and arm
Bomb and arm, bomb and arm
The whole of the Umma

What could be dumber
Than giving every angry young man a gun?
Auctioned futures
To give each rocket launchers.

The US has a concern
We will see violence escalate.
They're having a gas.

Lest we forget
Rambo 3 and our TV screens
Promoting Muja-hadeen
Staunch, with shoulder launchers
To take it to the Soviets.

To be forthright
It would seem poor foresight
To pour arms into a fight
Quite like what in hindsight
Spawned the air traffic
For those four flights.

I asked Humpty Dumpty
He said "sure right,
They're having a gas"

Blood, money and derivatives
To the victor the oils
So to backers with so much to give
It must be win
Win.

Aiming to install through proxy
Servers, processes and algorithms
For the new model of democracy
As seen in the Iraqi
Kleptocratic batshit strategy
Export standard is Beta
And may contain known conflicts.

We are all familiar with a different Utopia
With wheelchairs and legless beggars in our streets
Familiar with fatherless martyrs of the Middle East
They won't all, in the drama, don Semtex and rest
Some, like Osama, will take the rocks and look West.

Poem for the NSA

We met for a game of Bridge

Human to human

Drew out borders and grid

Drank port with ice

And served roast pork

The atmosphere was much enriched

As we talked long and loud

And as the pipes began to burn

There was not so much plume as cloud.

His facility with cards

Was well known

I did not heed the warning

Thinking I was smart,

I crested in six clubs

But was to crash and bust

Plot collapse before closure

A hostage to my hubris.

I never saw the diamonds glint

The toxic cargo smuggled by

Before the storm,

The threat seemed distant

There had been poor communication

Not so much as a flicker of understanding

A black out I'm afraid

All my partner could do was watch

They could not help nor aid

I started in a flood of trumps

You know the drill,

The attack looked all excercise.

But then delays started

The atmosphere crackled electric

I strained but could not recall

Which numbers had gone

And then a breach

The errant rough hit like a bomb

And an avalanche ensued

Lightening fast the looting of Kings

Running riot like pirates in Hispaniola

I had no power against the outbreak.

And in terror I was overcome

Relief was swift

The incident left me sick

Like a parrot with H5N1.

Vocab inspired by the NSA's key word list
http://redditgifts.com/exchanges/now-sharing-absurdity/

Excerpt from batshit

....
So I went to the shed
And in some cluttered corner
Under things I was saving
To do something with someday
I found, mangy and resentful
My career, emaciated.
It upset my friend the most.
I used to bring it to the office
When we worked together
Bright eyed, it would
Entertain him, fetch things
And do tricks
He had been away
And hurt to see it sick.
He had some scraps
The usual fluorescent lit terminal
Window on a light well
In some piece of listed dilapidation
Listing and sorry like an old ho
Seeking solace in a bottle
I feed it keystrokes and it might
Live through summer.
........

I used to love dawn
From any angle
The delinquent birds
Are my friends
Singing to street lights

I still love dawn
But seldom when too long up alone
The garden looks so fine
I have made a home
And grow rocket from the walls
And yet this home will fall.

I have become choosy
About my dawns
High summer Tai Chi
On still days only
When I am well rested.

The intoxicated dawns
Of ecstasy, when all
Night has been generous and warm
And these dawns
The drunks whisper so soft in the street
I hear my pen scratch.

I have so many
They can't be listed here
All dawns to choose from.

I must be muddled

I unchartered Chartist
In uncharted power struggle
I must be muddled
Sitting and thinking
And sitting and thinking
Sitting
A new beginning in Dao
I-universe, beyond ego
A new big innings
They'll laugh at you
I must be muddled
I should go down to the water
The sick and slow canal
To separate some of the muddle
The things that are there
And here
I must go down to the muddle
A sick and slow caned fool
To play my part in the struggle
Like I learnt at school.

Rain

Am I to blame
If I make myself the target
When Eros' arrows rain
Martyred like the a varaed bull
In the last lists of pain
As painted on my face
By Eros arrow's rain.

Some hope

Would you be my lover.
Forever.
So that they name stars after us
And wedding cars carry our figurine.
Is this an innocent or idle dream?

The beach

Last night tar skies were harbinger
Wind awash with ides
Galloped the stretched beach
Grain routed over grain
Fled the tide in vain.

Like Hannibal from West
Rolled billious stratus
Bloated with scorn
A pall, moonless and deaf
Told of pain by morn.

Sail open below the awful ranks
With little room leeward she ran
And was broken
Vessel threshed 'gainst cliffs
Wood rent and canvas tore
As land and air and water
Vied in blackness, each unsure.

Unblessed her crew were lost
Their cries like candles in a furnace tossed
Dashed and drawn down restless deeps
For Davey Jones their souls to keep.

Now sun is splayed like deck planks
Upon the beach
Sick mast rifted through deck
Decorates the break.
Figurehead cast upon a crest
Lies a lonely mourner on the wreck.
The rest has become flotsam
On the path in this morning fresh
And some young wife
Dons spinster's dress
Such crushing loss,
In passing interest.

A note of clarification

My love is not the first blush of summer wine

I thought it was a well known fact.
Beside Richmond's wide narrative
Tide tickling shoes and tyres
Doe fretted from barb to captor
And back
From what I thought
A well known fact.

I didn't note the polysemics
The grand Victoriana
Colonnaded against context
Grass bank and straw boaters
Placed me in another time
I thought you knew
It wasn't wrote between the lines.

I should've known
Should've had more sympathy
For your semantics, so unladdered
I said it
Just in observation
Meant it
Not as declaration
Thought it
No great revelation
But echoes of other utterances
Spluttered and frustrated
The dreams they trick Carp with
Must have caught your word
And made it grow
As misused beauty does
So unlike you
Misunderstanding
Its just
I meant it different.

You of all should know
Should not be suprised
It's not like I never told
Or gave it much disguise.

But I should probably know
You must have heard some lies
And looked upon a wintered rose
That promised much but died.

But since misunderstanding
Has budded, lest it flare
Let me hasten to the clifftops
And with pride to all declare

My love is not the first blush
Of summer wine
But like Brandy, the reserve
Rested, more refined

No quick crush
Of some rushed harvest
That bubbles heady light
A stronger liquor
The vapors lost
In alchemy of decade nights

No spritzer, diluted
Or coloured with Gin
Downed with a song
When the evening begins

A burnt love
Distilled drip by drip
From the alembic
To be sipped

Not the driving ocean wave
That claws the sand
Or raves at cliffs demanding
Or mirror vain and valueless
Till beauty gives its gaze

A love lain cellared
Vanillaed in oak
As seasons have ripened
And frozen
And blown to colour again
And children grown from swadling
To broad and sturdy men.

Beyond the flame of wax and wick
That startles timid at each breathe
A beacon blaze in optics set
To rest, in storms, the mind of ships
And proclaim above the cliffs
Occasionally
You are ever part of happy
And out to sea
At least for me
You know
I guess I always felt
You would save me from myself
I trust your judgement still
You always held my heart so well
Even at a distance.

Valentine for S

Love,
Where do you travel?
It seems you have settled
For years, at least
Physically, where do you travel
Now. My heart has moved
Many millions of miles
Around the mass of a word
A singular definition of a word
Amongst the trillions
Across the darkened sky.

Some have tried
To change my compass
Show me maps
Thrust ill formed modern usage
Crass into my lap
A luckless crop
I till
Still like a rock
In a vacuum without manumission
I travel the orbit of one definition.

Raindrops

Raindrops in spring
Still smell the same
Although among the scents of things
I have come to know some names
Of flowers and soils.
The emergence,
Curious in youth
Of Crocus, Hyacinth, and Sarcococa
Unknown comforts
Of Spring's breath
Is now a known wonder
In winter quite forgot
Liberated by raindrops
Telling my nose
That I must tend the roses.

She was classical

She was classical
The type to travel
To palaces in Crete
And finding string
Would ravel up the far end
Winding further in
Willingly where others dread
Lifeline spooled upon a bobbin
In a maze that monsters tread.
She would make a fate to speak of
With Theseus, the Bull
Or both
Live at least one more moment to the full
A flower in her youth.

Egg

Perfectly inert, outwardly
Hard I am
For how thin this armour is.
Eggshell vulnerable
One day myself
Will peck through.

Love is a long word

Call me to the campfire
When all sleep
And the great log in embers
Is a mirror of our love.
Know, as Buddhists do
Each flame
Never born nor dies the same
In dawn
We shall gather fuel.

Lion I would go with you
As we have through so many doorways
So many stairways and clouds
Tented heart a circus hidden
Just for us amid the crowds.

Those grounds we played
And shaped our thoughts
Those hallowed eaves
Where hopes were wrought
With talk uncorked
By hop and grape
Have been erased
Signs sallowed
And been replaced
All covered by the pace of change
But nothing is completely strange
When seen beside your eyes again.
Though the City's race makes brick but chalk
We share an archaeology
In the places and the streets we walk.

Walk with me
Unto the sea
Stand with me on sand once more
And let the waves lap at our toes
Then in a vessel let us go
Out beyond these balmy shores
Row together past the bay
To explore endless today.

So give us today
Words laughed over
After we have authored shopping lists
And unenunciated epics
Tailored favours worn implicit
And abandoned asking why
Our separate souls grow to arches
That hold a church roof high.

Give us then this promise
Vows for mouths of innocents
So that we too might smile
At the constants
Cast starlight
Into ink dark future
Sow our own conspiracy in sonar
Echo-locate in laughter
Values
And the outlines of tomorrow's you.

The bed weighs balanced
My other wing
Self-fulfilling Oracle
I trust this love
Like hot taps and light switches
My normal miracle.

Old friend

I met a saxophonist
Teeth like the old brass
She once blew
Dull, battered, dirty and lost.
Bewildered in well made rags
At the bus station
She begged

With time to spare
To listen and talk of nowhere
And where the roads lead
To walk local streets
And remind her of the tomorrows
She still has.

However long December runs
Some August dawns are yet to come
Of tomorrows planned when we were young
There will be some,
The simple ones.

I met a saxophonist
I gave her what change I had
She bought me a coffee.

I only want you for one thing

And she said
"You only want me for one thing".
I, dumbfounded on one heel
Plans, images and ideals
Falling over each other like a panicked crowd
And then she turned on her heel
And left.
To keep it real
I said, yes
I ain't in it
For the way we move to music
That never made the charts
Or wining and dining
Or pretty galleries of art.
It ain't the quality time I'm interested in
It's what it leads to
I only want you for one thing.

I just want you to touch me
Where others don't
We don't have to be lovers
I want to fill blank spaces
Exploring all of your gifts
Lay down my passions
Press, express, lift
Press, express, lift.
I want feet to find me
And draw me in
The way it should be
I only want you for one thing.

I just want to use
You for the tight
Concentration of the muse
Find rhythms to ride
Make lines fuse and glide
And I want it
To come from deep inside
I want those sleepless nights
Bleary eyed
Stretching to access
Every nuance express
Turning it over and over and over
Until sheets are crumpled and cast aside
Till my pen dries
And skies lighten
I don't even have to like you
Don't be frightened
Just inspire a Haiku
One piece of writing
I be honest,
I ain't even thinking as far as a fling
It's these moments
I only want you for one thing.

Three Haikus

I

Wishful thinking this
Black brush connects with pale page
How meaning is made.

II

Crow on flower branch
Bent under black brooding weight
A cry, petals fly

III

Dim, cluttered gutter
Mirrors of vanity rise
High office caught sun

Two-state solution is an oxymoron

Oxymoron
“A figure of speech in which apparently contradictory terms appear in conjunction”
OED

If I have a cup of tea
And stir in two sugars
Such that the substances are blended
One suspended in the other,
That is a solution.

If I were to separate
The sugar from the tea
That is a precipitate
In terms of chemistry.

Do you get me.

So to make the dividing line
Between Israel and Palestine
A wall, solves nothing at all.

A wall entrenches the problem
Creates boundaries between peoples
A wall does not dissolve them.
Not a solution,
But a Two-State Precipitate
Based on one of Europe’s great
Intellectual mistakes.

Herder and Fichte
Have a lot to answer for.
The idea that
People of a common culture
And field of communication
Should form a single polity
A territory called Nation
Is calamitously mistaken
In one critical assumption,
That people don’t move.

They do
And they take their culture with them
And mix and change and rearrange
You might complain or try contain
Or blame it all on immigration
But there’s a basic problem with mobility
For the geography of ethnic nations.

So the Two-State Precipitate
Proposes to erect a boundary
Name some ways as alien
Who say they’ve been there
Since way back when,
The others say you have to go
You can’t win
And you know
That’s when the bloodshed begins.
It’s the same in the Balkans, India
Rwanda, Ireland, Sudan,
Them is alien and it’s not their land
It’s made complications
Since the idea began
Because morality and trust
Only extend to Us.

In the 17th century
Europe left a third of its people dead
In disagreements over whether Jesus
Was present in communion bread.
And learnt to our prosperity,
That theocracies
Tend to be belligerent
And victimise minorities,
Righteously.

So as more burned at the stake
It became widely known
That one should always keep separate
The Church and the Throne.

So what do we bequeath
To post-war refugees,
Fiefdom over monotheists
And a poisoning creed,
Theocratic Ethnic Nationalism.

It was only ever going to end up
A magnet for zealous lunatics
With an imperfect appreciation
Of scripture,
Intuitions like Fichte
Steeped in persecution myths
And an Old Testament notion of power,
The picture looks dour.

Because the moderates will stay
Wherever they have spread
But fanatics will flock the motherland
Justify attacks on other clans
As part of a greater plan
To cleanse their god-given land
And create
The Two-State Precipitate.

Theocratic Ethnic Nationalism is the solution
To long term peace in the Middle East
If
Long term peace in the Middle East
Is a problem
And you want to get a war on
Otherwise
“Two-state solution” is an oxymoron.

Written: 2011

The Fraoch

Irish Legends

This world so full of high beauty
And cruel misunderstanding
Tracing the root, under peat
Where origins are found
At the tip,
Eye powerless.

The Fraoch

How did the fraoch catch
Blaze in fire, me to blame
I sought to tend
To wilderness
When gusts whipped
Dark unknowns to flame.

Men have hunted on these moors
They must
For furs, not honest folk
Who take the lot
For other mouths beside the pot
But those with ferrets yoked, dogs
Who come for sport
And leave a dozen gutted pelts
Athwart a stick
Thence to market to turn a trick
The flames would birth for them.

I came with canvas,
Palette and brush
For sense of place
And in no rush
To paint and sit at dusk.

Was it the cackle
Of a tattered crow, that fell
Hard as flint and sparked the grass.
No.
Was it the stone I threw
Without care
To chase the sagging silhouette
To air.
No.
Was it some unknown arsonist
While I had left my seat
That struck a spiteful match
To the heather ‘broidered heath
No.

The sketch was misunderstood
As light faded
Condemned as modernist
A poor impressionist
With hands of wood.
It was never my intent
I meant to paint as Constable
But unappointed to such skill
I didn’t reach to what I could.

I didn’t believe
In one evening I  could
Capture with a brush 
All essence of the Aos Si
Magic of this land
Beneath the peat
Which grain by grain, in time
The sea shall understand.
It was beyond my hand.

Ah, but there’s the rub
I cannot lie
Of my enchantment
Our star, who rises at dawn
Above all men, warm beyond
The horizon, pillowed on waves
I thought myself so wise.

When I was young
I would have chased
Blue over scarlet
Back and forth across the canvas
Vain siege on enchanted air
The changing moor
Eluding my brush
Till all was muddied
And I was lost in darkness.
I thought myself so wise

To paint the gathering at the gate
Rolling country, the step
Where the bar spills
Intoxicated mouths gape
At our star sinking through Fand’s rest.

And yet fire fanned behind
I didn’t know the land, the season
When so dry, small frictions
Can turn to fuse a tuft
And cinders wick through root
Just a whisper, it must have took
The scent passed missed
The dark peat blistered
And Cailleachan came
I turned to face as ambushed
A fraoch of linging flame.

I stood for all I could
What can one man do
But pat, stamp feet
And tip a glass in hope
On furnaced heath
Admit defeat and flee.
I left my easel
Which had but a crude sketch
I never should’ve left.

I had been distracted
When the fraoch lit
Ran and hid amid high rocks
Sketch left as sacrificial fuel
The Aos Si know me as some
Blocked Hockney, Hackneyed fool
Who would sculpt a crude Picasso
Slash masterpieces and call it art
I know not
How many ways to cry.

I am not one to take the sword
And cross the ford to win a prize
Not mine
I kept my brushes for the moor
Not to capture fair Fionnabhair
On canvas, she had tired
Of all those fallen for her
I was told.

Had I painted as my intent
Undistracted, thought
In watercolour
On perspective, all attention spent
The depth of picture
Would have been clear
The fraoch within my care
As the flames rose
I didn’t do that, not then
Not there.

When I was young
I would have dreamed
Of running back to the fraoch
After the flames were done
To live upon the heath
Under the gaze of the sun
Notwithstanding disbelief
But now feet know concrete
And nothing will grow till spring.

If I had the caught the fire
Before it lit the Sidhe
Oh if, if, only if
I cannot lie
I had a hope
That gossip by the gate
And a kinder hand of fate
Would see me tend a fire
Some year upon the moor.
That and nothing more
Than to place a pot upon a hearth
Open to all but cold wind
And long odds of rest of last
And to call the heath our kitchen.
That wasn’t how it happened.

The Canvas

Behind closed windows
On a studio canvas
Lit by electric light
The tip to this root
Is not so elusive
But who really knows
In the long run.
The season, friction, a whisper
I sat, back
Facing the setting sun.

Value

If this pool were not so placid
That one glance revealed your grace
Would it's bowered fishing banks
Be more your kind of place.

Could you get your favourite rush
Where one swipe will fill your net
From waters teeming generous
Leaving idle hours yet.

Would you think better what you sought
If it never took the bait
Or loosened it, off the hook
Like the one that got away.

If your line was taut
Braced heels, knuckles white
You struggled with the reel
Uncertain of the fight

Would that one that you caught
Catch your eye perhaps
Amongst the flailing silver full
Pen of writhing sprats.

I doubt that.

You would, on your way
Come again, back to these glades
One day, to cast your hook
If there was one that got away
If there was one that got away
You would
I guess
Love me a little more
If I loved you a little less.

Carnival

Viscous
As the sweet cast off of slavery's crop
Streets bloom
To the tap of taught skins
Traditions
Of summer's end. The flotsam
Of irregular masses
Jam through bottlenecks
Stone and brick
Set by empire's architects
Sun high and rich in sweat.

Amidst a deluge, rivulets push
Hard as roots
The crush, flesh dripping
Reverberates, knots and dissipates
To star-shaped, can-handed
Dancers at the break
Of Portobello, where peppered
Fluorescent yellow jackets
Are placed in shade
By rackets
And fountains of feathers
Lazarus winged,
Every colour of rainbows
And all those dug from the earth.

The grand terrace's embrace
Sprouts bromeliads of bass, apes
“Where's Anna” swing
From every fissure
With flags beyond three colours
“Portugeas?” The breeze
Howls of happiness
“Every year I” wafts
Of sweet bud, flourishing melody
“Going next door” caramelised
Meat, percussion and spice
Scale whitewash
Darwinian.

From the passage between
The Groves
Teeming like Victoria
Grow great, twice transplanted boughs
Towering Teaks, Ziggurats and Baobabs
Old as Saxon, proud
Keystones of a lively sea, glittering
And painted. An Amazon

Then shadows wake on rooftops.
Beats have blended bars into hours
Sychronised strangers to friends
Pots bubble thick and
The prowling yellow coated pride
Amongst anonymous affection
Begins to stalk.
Keystones creak and stutter
Each stillness
Shows the undergrowth of voices
Naked. The skittish herd paws tarmac
From confusion
To purpose with each rebirth
Pitched. Horns ask questions
Rally whistles, the glowering cats
Pause, lick lips and slink 
As they summon to dare, pushing
The revelling West, the herd
And the rest into musical chairs.

Berimbao
Coagulates. Day blurs and lights
Make up the throng
Scraping steaming pots
Of song. Echoes in silhouette
Sway long after Elephants
Have drifted, one leg after the other,
The final leg back.
Jetsam of polystyrene, blue plastic
Spent rounds
Paper, fluorescent jackets rest in blind
Roads. Incandescents hum
Under canopies
Still standing. The shilling, curried secrets
Barrels cradled, somewhere
In the triangle, retread, hollowing
Till the last drop
Desert sand returns, faces from the night, arid stones. Shrinking
Springs succour Bedouin, long through blackness to daylight.

The streets will wake, forgetful and washed
Plus no one got killed in West London I hear
This year was a good year.

Looking back

Across the dale the woollen hills
Are ambered from the sinking sun
Sky, peach sweet and summer ripe
Pours a blush upon all that's done.

I trod this morn, the trail I watch
The spun hill soft with dusk
The loud cavalcade to supper settled
A life away from long day's rush.

The trail's trials, the slaver sun
The noisome cage of knotted oak
Are drenched and glassy distant now
All errors seem a joke.

The sweat stung scratch that branches cut
The scorched cast chest and threats of flies
Leave seasoned, loosened skin
Downy limbs and lidded sighs.

The boot that caught the twisted root
The kilns of fire beaten feet
Yawn lace agape in yard soaked gold
Like two hounds lying sound asleep.

Spent, the echo of curse and cry
Now lies in feathered forest
As sediment with songthrush calls
Below the breezy crest

For all the struggle along the track
The rasp as treads rake spitting dust,
The path dry, treacherous is in relief
An undulating bed of hush

A loosened thread, minor yarn
Sub-plot in a play of light
Shadow-steeping, the dyer's hand
Folds land slow till left to sight
Are keeping scenes mind kens worthy
In the shallows of the night.

What if they hadn't shot King?*

"In the end the struggle is not between people at all, but a tension between justice and injustice. Nonviolent resistance is aimed not against oppressors but against oppression"
Stride Toward Freedom. Dr. Martin Luther King

What if the dark depths of prejudice
Hadn't spat a bullet, bloodstained
The single garment of destiny.

What had Dr.King lived
Counselor to schizophrenic America
Great beacon light of hope
Through ominous clouds of inferiority
Through the deep fog of misunderstanding
Moving towards the goal of justice
with calm reasonableness and wise restraint.

What if King still led
Veterans of creative suffering
Still encouraged the disinherited children of God
to sit at lunch counters
Unafraid of the word "tension"
Make bridal suites of jail cells
And love the perpetrators of the unjust system
Deluging "I-it" relationships
In his mighty stream.

Would he succumb to the tranquilising drug of gradualism,
Acquiesce and thus become as evil as the oppressor
His legacy an endless reign of meaningless chaos
A desolate night of bitterness.

Would he be a victim of interposition and nullification
In the storms of persecution
And flames of withering injustice
Such that his cup of endurance could not overflow.

What would he dramatise that it can no longer be ignored
What just and unjust laws
How long the conscience of the oppressor sleep deprived
By the legitimate and unavoidable impatience
Of non-violent gadflies,
Roused with not threats, but facts of history,
This indescribably important destiny.

To what noble heights
Could he have risen, an American Solon
With the natural medicines of air and light
Moving men from mental ruts
Unshackling brothers smothering in the airtight cage of poverty
Opening funtown to coloured children
This extremist 
Working as if it were a possibility next morning
To lift the inescapable network of mutuality
To the majestic heights of understanding and brotherhood

And in winning freedom
so appeal to your heart and conscience
that he won you in the process.

"Possibly the South, the nation and the world are in dire need of creative extremeists"Letter from Birmingham City Jail, Dr. Martin Luther King

*The words in italics are those of Dr. Martin Luther King

Carcino-colonialism

Guns, germs and steel
And missionary zeal
Once raised our flag
In foreign fields.

Then the baton passed to banks,
Then MTV,
Now they tell people
That they can be free.

The new game in town,
The brand new vision,
Dupe people into thinking
They make the decisions.

No need to fox them
With broadcast Television,
Sow seeds in the feeds
And reap the fruits of division.

Studied terror and chaos,
Now cold cowards envision
A new type of conquest,
Carcino-colonialism.

II.

A complex recipe

Take a culture
And bombard it with free radicals
Till they corrupt the machinery
Connect the cells and feed them energy
Nourish with blood, till the host society
Multiplies tumour cells indefinitely.

Start with the lethargic,
Sclerotically corrupt
Despot the world forgot.
Mix fictitious avatars, amateur journalists
Food prices, camera phones
And a call to resist.
Inflate.
Serve on web space, backed by hackers
Fuel hate
Till there are visible cracks
Add special ops, sanctions and air drops,
A consensus course
For diplomats to plot.
Level the playing field
Wait,
Till flavours of global hegemony permeate.
Garnish with a representation of Democracy
Reserve a complicit military
For reasons of economy
Slake the thirst of your company
With tap broke state.

III.

Carcino-colonialism.

A virulent mutation of the imperial dream
Bastard offspring of Howard Dein's method
And Donald Rumsfeld's schemes.
So there's a Twitter account
For every thirty Tunisians
And US Air Force veterans
Blog as arrested
Damascus lesbians.
Masked men in Misrata
Are still going out after
Dark for closed courts
While NATO pumps Chinese investments
In East Libyan ports.

Now we're told of Friday Prayers in Homs
Played the thud of heavy guns
Told to worry about Iran
Not where free Syrian arms come from
Not who's connecting the comms.
As wrong, as it is murky
Slice the pie for the strong
And they might not find four and twenty
Thanks giving Turkeys.

IV.

The end of Bo Xilai days
Were always going to play
Out in public one way
Or the other.
Now it couldn't be easier
To circumvent state media
Once you've got a police chief,
Debriefed about the beef in the fiefdom
Put the facts in bytes
To they release or do you leak them.

There's a new game in Town
I hope everyone's listened
Don't go missing the tricks
Of Carcino-colonialism.

Canada Geese

The streets are heaped with grey snow
Some days ago
It settled in a shower of innocent smiles
And childhood passtimes
Delicate, joyful and soft.
That snow is lost.
A few walk the rocks
Swaddled in slow nervousness,
Beneath the Gull's screech,
Life is on hold
In brown scaffolds
And frozen ground.

Months ago
When the flames came to the trees
And nights turned from steam to wind
I watched the geese circle
A flotilla of foghorns
Bellow beating the air
Tugging to adventure
Far, more bracing climes.

Face upturned and feet earthbound
I watched them flock and go
And as the grey sets in the snow
I would that I had followed.

Speak not of roses

Speak not of roses when you talk of my love
For she is kinder than a flower of thorns
She carries no barbs to wound in your hug
Nor sits as winter sticks forlorn.

My love ne'er spites with clapsed closed buds
Her petals proud and face forever blooms
Her wise roots tap not the blood rich mud
Evercoloured beyond one sweated June

There is no sickly scent to suffocate
A curious close pressed nose
She lies not idle in staid estates
Oh name her not a common rose.

Gather all the flowers upon this earth
They make not half of my love's worth.

Valentine for A

Heron,
My summer lover
And memory of youth
Sing me a second's harmony
From your tuned strings
Resonate
For just a slowed half step
A shutter snap remembrance
Lest we forget
The romance,
The wind from the thoroughfare
Lifting your hair
An embrace by
Empire's memorial gates
The high August skies
And the cliffs of brick we fled
For the Queen's gardens
Which you lit
Like some piece of fallen heaven
As we rolled woll bail bodies
Through short fused freedom.

Democratise Taxation, the short web version

There is a crisis, a crisis in the way politicians spend our taxes. A crisis made from making the super-rich richer and waging war for US interests.

Our government misleads us, Mr Blair over Iraq, Mr Cameron over the NHS.

One simple reform could address this, participatory budgeting, the involvement of citizens in spending decisions. We all pay tax, and if we pay tax we should have a say in spending.

We have the means to restrain our government from Trojan horse policies and using legislation and subsidies to pay back political donations - a democratisation of taxation.

We already have the tools to enact this reform. The internet.

For each to be sure their taxes are spent in line with their values and the views of all voters count; election manifestos should contain budgets and voters should have the right to adjust their share of the budget that goes to each policy.

We can mandate individual policies through participatory budgeting. We can democratically fund policies and end the incitement to profligacy in the civil service that stems from having to spend or hand back a budget within the year.

We can make public services more responsive and efficienct by using information from the consumers of those services, from voters.

Consent for taxation is the most ancient cornerstone of British Democracy. It is a right signed into the Magna Carta in 1215.

It is time to replace our spluttering, steam driven democracy with a more responsive, finely tuned, digital democracy.

We now have inexpensive ways to get consent from taxpayers directly. We do not have to be “represented” by politicians, or accept their manifestoes a la carte, or tolerate their broken promises. We should call out “no taxation without allocation”

We should write a modern Magna Carta, for 800th anniversary of the original, use particpatory budgeting to make our government more true to the title ‘Democracy’.

And stop politicians squandering our taxes on wars and bankers.

A democratisation of taxation

EXTRACTS

In 1215 the British Crown signed the Magna Carta and committed that taxes would not be raised for war without the consent of those who pay. In the last ten years the nation has been led into war on a fictional pretence and there is a crisis in the direction of our collective resources.

800 years on we need to reapply the principles of democracy in the context of a profound change in information processing and distribution so that we can refocus our politicians on the interests of citizens, rather than the demands of the global elite.

We can do this through participatory budgeting, through involving citizens in the spending decisions of government, and with this reap the benefits of incorporating the local knowledge, expertise and values of citizens to make government more responsive and efficient.

We can remake the Magna Carta for the wider group of citizens in modern, digital society and unleash a new age of progress.
..................................

With all the possibilities to inform, include and interact with citizens, is it right the government enforces compulsory taxation in exchange for the this pallid pretence at representation. Are we not being sold short. If there is some social contract with the people, is it not about time we revisited the wording; examined whether the state was making good its obligations given the possibilities of today.

When tax was collected in metal and Hansard a work of arcane glyphs the government could be forgiven not consulting every voice, not making plain its business across the whole nation. But today, is publishing Hansard on the internet a sufficient response to the opportunities presented by the digital age. Could we not do more to use these now ubiquitous technologies to reshape government of and for the people.

Just as the Barons of the realm understood the natural belligerence of power hungry and with the Magna Carta forced King John to consult when raising taxes for war, and just as the Americans called no taxation without representation, asking whether they should pay for English sons to drink blood on foreign soil, we are faced again with a Crown that misleads the nation into war and coddles vested interests. We are again forced to question whether the state is abusing it’s tax raising powers. Whether some are whispering seductions in the ears of our leaders and causing them to exploit their subjects.

But thanks to the efforts of our forefathers we are citizens not subjects. And when we as citizens ask these questions and faced with the evidence, look for remedies; we can see decisive new tools unavailable to the Barons of King John. The people of those times understood that the way to rein in a state galloping towards despotism is through control of resources and now in our time we can refashion the bit and bridle not with paper and steel, but with copper, coltan and silicon.
.........
~Illegal wars on fictional pretences require our taxes to wage, the orangeries of moral hazard in which we house finance require that trillions are burnt to maintain their climate. And I ask, would our governments have behaved differently if we had a say in the spending. Would the war in Iraq have been fought if, rather than shifting around pots of cash in the black box of the Treasury, Mr Blair actually had to ask those who pay taxes to fund it? Quite possibly not. This is what the Barons knew when they forced King John to sit at the table with quill and ink and sign the Magna Carta.

Now almost eight hundred years on we need a modern Magna Carta. For wars are fought without the consent of those who pay for them and this is a violation of the most ancient element of British Democracy. A right signed onto paper in 1215. The time has come to free these rights from paper, from their prison in the archives, find them again where they have been mislaid in the corners of our mind. Each of us should call upon this right again, so that we can remake our government. Replace the rusting mechanics of our spluttering steam driven democracy with a more responsive, digitally controlled, budgetary democracy. Make a Magna Carta fit for the digital age, for mass society and economy. That states, just as the original, that if government seeks to wage war it must first have the consent of those who pay.
........




VII.

And all this can be bought about with some simple changes. Just by publishing the government’s budget on the HMRC website and adding an interface with a way to toggle allocations up and down. But while the technical changes are straightforward, the political changes are complex. For those who lust for power are seldom motivated to give away their prize once they have consummated their lust. Rather they would, if left alone seek an ever greater grip on power. And this of course, is why we periodically refresh our leadership before they become absolutely corrupted.

But now we are faced with the task of rebalancing the distribution of power, a task in which we must be successful or our children’s children will walk bent backed under the enduring weight of the greed of the current elite. Thankfully, participatory budgeting is a transparent reform. An obvious measure to anyone who appreciates the possibilities of the web. A change in step with the zeitgeist. But it is likely that those in power will be horrified, see the change as a threat and do their best to remain as blind to the possibilities; talk as turkeys do in November.

But we should shine the spotlight on participatory budgeting. Give it centre stage in the twenty first century enlightenment. Emblazon it’s successes across all areas of public debate. Make obvious its affinity with the ancient principles of our democracy, with the Magna Carta, with universal suffrage and with the efficiency of consumer led resource allocation.

We should demand participatory budgeting as an obvious natural right. We should appeal to the straightforward common sense of every man and woman that they pay tax, so they should have a say in spending. Make the obvious point that consent for taxation has been the cornerstone our democracy since its foundation and that we now have straightforward and inexpensive ways to get this consent directly. We should demand that we are not forced to live with nineteenth century governance in twenty-first century society. Demand the spirit of the Magna Carta is applied and our democratic rights recognized in a modern context. And make good these demands in the reorganisation of our government.

And the prize would be a step change in the deployment of our collective resources comparable to the original restraint of monarchies. The prize would be a government for the people, a government where our leaders must show competence and integrity in their endeavors, and are restrained from showering their courtiers with favours. A government in which all voices are heard and weighed equally. And we have the tools to make such a government at hand, and it is necessary that we use them.

For there is an enormous crisis in the direction of our collective resources, in the imperial agrandisement of foreign powers and the enrichment of the super-rich. And the current means we have of controlling our collective resources have quite clearly been inadequate. There are few alternatives within our democracy, and it is structured in a way that makes our representatives more accessible to lobbyists than the people who vote for them. So while we need to make changes in response to our new economy and society, the changes that are made favour the few, the precious few. And rather than the great majority benefiting from the huge increases in productivity and accessibility brought about by the information revolution, the gains are falling to a global elite that have captured the minds and levers of power.

But we have some ancient principles to guide us forward. We have principles that the state should be beholden unto its citizens and that there should be consent for taxation. We have an understanding of the effect of power upon those who wield it. And we have new means with which to apply these principles and understandings.

We have the means to gather local knowledge, distributed expertise, individual preference and use these in combination to more efficiently direct our collective resources. The means to re-enfranchise all those whose loosing votes are cast away. The means to curtail misrepresentation, Trojan horse policies and use to the state to pay back political donors; to make state spending a better reflection of our individual wills in combination, to make our government more true to its title of Democracy.

This could be done through participatory budgeting, through a recognition of the natural rights of citizens in a modern context. It could be done on the HMRC website, in time for the next general election, in 2015, on the eight-hundredth anniversary of the Magna Carta. Let us make a such a modern Magna Carta, fit for a new millennium, so that our children’s children, rather than cursing our greed, will laud our wisdom, just as we today laud the Barons of King John, the course that their actions set in motion and all that it has done for us. Let us not leave as our legacy the decaying relics of once great nations, buried empires, a derelict democracy, sclerotic and spluttering, fit only for enrichment of private and foreign powers.

Let us instead reawaken the principles led us first to enable the capabilities of all our citizens and seize our taxes from the greed of monarchies and mercantilists. Let us reawaken the genius of western governance that is our inheritance, let us apply this genius afresh with modern tools, with computer, the internet, with video and data-warehousing. Evolve our governance so that it is fit for our times, for the pace of change, for the integrated world.

And I can see no better measure. No change so simple and accessible and yet so profound. Nothing so straightforward that would make the state more efficient and responsive. No measure that reflects the principles of democratic government in a digital age better than a democratisation of taxation, better than online participatory budgeting. And if you agree, then let us take our voices to the halls of power and make them ring with a remade cry, no taxation without allocation, those that pay should have a say, and make a modern Magna Carta fit for our age.

My Books

Valentines and Romantic verse - Buy this book, or look inside on Amazon

Political verse - This has some genuinely original material in. Buy it on Amazon

Why I'm going to St.Paul's

There are times in the life of all us, normally in childhood, when we come to realise that the myths that we’ve been raised on, the narratives and convenient fictions; Father Christmas, the Tooth Faerie, the Stork, are false. Moments when we realise that what we held magical is nothing more than the actions of people more powerful than us, working in a world that we must grow to understand. This is how I feel about money.

For a long time I thought money was “stuff”, a pre-existing thing, a commodity. And as we all chugged up the hill of last decade’s debt bubble I begrudgingly bought the arguments that the denizens of the Square Mile’s glass plated towers were a special breed, an energetic intelligentsia working a great alchemy on the world’s resources.

Then, bubble full, we crested the hill and as it burst and the capital markets dropped precipitously away, the landscape became clear. No longer is money a thing, something dug from the ground as gold or sterling silver, something hard won from the bowels of the earth, it transcended metal long ago and now has transcended paper. Now money is just magnetic patterns captured on cobalt and ferrous oxides, patterns created and altered with a keystroke in particular institutions, producing IOUs to which we all adhere.

For me, the magic of money evaporated with each round of conjuring. Each spectacle of waist-coated, grey-haired men presenting from behind polished tables, each new round of tricks pulling more billions out of the hat. So that now the creation of money seems more like a circus act, a conjuring trick. Even a material notion of money exposed as chimerical.

It has become clear that money is a convention. A convention in which each unit of currency originally represented a promise. Promises which persist and can be passed among us. And if we investigate the origin of these promises, we can trace relatively few back to workings of government and central banks. The printing presses of nations provide little more than the snow cap on the mountain, little more than the icing on the cake which we seek a better way of dividing.

At the birth of these promises we find bank debt. We find mortgages, credit cards and loans. Promises of private institutions, made good because somewhere they have more money than each particular loan taken separately. But they make these promises again and again on the understanding or gamble, that no more than a few percent of their clients will call on their promise at once. A gamble so bold and profitable that 97% to 99% of the money in circulation originates from private banks in the form of debt. Money created not by miners, manufacturers or sage men in waistcoats, but by private bureaucrats, bank managers and financiers. The great mountain of currency created through contractual bondage at the touch of a button.

If you were to take the same idea onto Dragon’s Den: take one person’s cash for safekeeping and then assign the same deposit to ten or twenty people as debt, on the gamble that all the creditors won’t come calling at once, you would be arrested for fraud. But in bygone days the Crown bestowed banking licences on a few select institutions and these institutions have been conjuring currency at a stroke every since.

When we examine how these institutions use this extraordinary privilege we may not be surprised, but most are appalled, because we find that half of all the money they create, fifty percent of their turnover, is paid out as wages to their staff and the bulk of that to a small portion of professional gamblers and big contract salesmen. Something approaching fifty percent of the world’s money supply going to not more than a small town’s worth of people, all from the privilege of the trust we place in their keyboards.

And while some of this vast wealth was putatively trickling down, it seemed the politics of envy to challenge the mountainous accumulations. Just jealousy of an occupation we did not understand. But now the very same institutions that claimed they were rational and beneficent have come to the general taxpayer, and even to pensioners and the unemployed, to guarantee their very existence and guarantee with it the luxurious living of a handful of their staff. The great money factories have come saying that it is rational for us to sacrifice a generation, to dismantle the extra market services in education and health that have paved the road to the prosperity of so many, to serve the continued gluttony of so few. Rational on what premises and for what purpose I ask.

For when one person’s gains place no burden on another it is envy to call for them to be curtailed. But when a person guilty of mistakes calls for others, less rich, to bear the burden of these mistakes so that they can maintain vast disparities of privilege, it becomes an injustice and a natural affront to humans, however you conceive them.

The current arrangements are pouring so much of general taxation into the hands of private institutions, private institutions that dismiss talk of social purpose as irrational and hand the fruit of taxation to the already rich; and all as a cost of saving these same institutions from bankruptcy. Such arrangements raise questions not from miserly or base emotion. Questions arise from concern that the costs of grand misjudgments are falling not on those who made them, but on the innocent and the innocent children of the innocent. Such that to question the position of the cooks, let alone how the cake is divided, can no loner be fended away as the politics of envy because it is so clearly the politics of justice.

I ask, if there are institutions that have the power to create money and give it to whom they please, is it right that they are all in private hands, working for private purpose? Would some diversity in their ownership and purpose provide a new tool to resource socially useful activities and address some destructive patterns in current resource allocation? Can we create decentralized institutions that allocate resources, which are directed by a broader set of values than simple greed?

I am not alone in asking these questions, many others within our democratic societies ask the same question, but the elite seem to be of a single mind, united around the historically rather unoriginal idea, that the 99% should sacrifice for opulence of the 1.
And while the agents of finance were swift to grasp the implications of the information revolution, and civil society were too, governments and offices of power act as if world still runs on paper. Governments have been slow to create channels for citizens to pose, even less get serious answers to questions. They have been slow embrace the democratic possibilities of the information revolution.

There have been some window dressing initiatives, but the substance of policy, they make plain, must serve the markets. But markets represent little more than the concerns of the rich and the greedy, and when I last looked, they did not have a vote in our constitution. Yet finance has bought seats at the table of power through providing 45% of Conservative party funding, and now those who should be our representatives stand up and claim to represent the market.

And that is why I’m going to St.Paul’s